Complex, original, and hard-hitting poetry collection. . . . This is political poetry at the uppermost level.
—Peter Stein Larsen
Moestrup again distinguishes herself as our sharpest (post) feminist poet (are there any others?). . . . The attitude in Kingsize is raw and political; her poisonous, glittering, lyrical nail polish makes several fresh assaults on Danish immigration policies. . . . Her anger is classy. Verse as sheer sublime weapon.
For some time now Mette Moestrup, one of Scandinavia’s most important contemporary writers, has been writing an edgy poetry about the body, about being a mother and a lover in Denmark. She is renowned for love verse as uninhibited as it is feminist, and her provocative, mischievous, sexy poetry also happens to be headily intellectual and full of references to anything and everything, from Batman to Rilke.
Moestrup holds true to form with this wildly interwoven collection full of word play and formal avant-garde experiments, kitchensinkfuls of references, recurring themes of ethnicity and sexuality, war and violence, sustained motifs, mythical female figures on a sensation-seeking TV talk show. But all of this, and much more, with an unease, an edginess, a vulnerability as political controversies and racism repeatedly appear to question what at first seems playful. It is a work that delights then challenges the delight. Kingsize is Mette Moestrup’s third and most acclaimed book. It won the Danish Montana Literature Prize for innovative writing.